GALLERY

Selected images from various projects. Available as edition prints.

FRIDAYS RAINSHADOW 2020-2022

“The Mojave is a big desert and a frightening one. It’s as though nature tested a man for endurance and constancy to prove whether he was good enough to get to California.”

John Steinbeck. Travels With Charley: In Search of America (1962)

Despite its extreme temperatures, barren landscape, and meager precipitation, the deserts of the American Southwest have been subject to man’s interaction since the mid-1800s. The Mojave often referred to as Rain Shadow Desert, is like no other place on earth due to its surrounding mountain ranges and isolated weather patterns. Despite being the harshest of environments resulting from its unique structure and climate, it is part of a delicate ecosystem subject to environmental, ecological, and social changes.

With over one million people living in the Mojave, urban expansion continues to consume it. This work reflects upon some of the environmental impacts within the desert landscape through photography.

AMERICAN VINTAGE

Inspired by early pioneers of The American Road Trip

NIGHT VISION

"The photographs of Marcus Doyle transform the familiar spaces and landscapes of the modern world into twilight zones--nearly surreal, almost alien, yet always recognizable for what they are…Doyle's large-format approach, with saturated colors that result from exposures as long as three hours, turns his unstaged tableaux into visions of exalted expectancy amidst man's tendency to trivialize. Indeed, it is as if these easily overlooked spaces are awaiting the arrival of nothing less than an intergalactic mother ship. But Doyle doesn't strive for any rhetorical or ironic effect, although his photographs are rich with aesthetic ironies. Photography, after all, is fundamentally about light, yet for the most part Doyle photographs darkness, painstakingly capturing the fugitive illumination that is always there yet often invisible to the naked eye. Just as ironic is the rigorous absence of human figuration, yet all of Doyle's deserted landscapes have been impinged upon by human development, urban sprawl or feeble gestures that aim to reincorporate the natural world where man has more or less rolled over it." Matt Damsker.

NIGHT VISION II 2022-2023

THE WINTER OF MY DISCONTENT

Made using a panoramic film camera on location in Middle America.

THE ACCIDENTAL TOURIST

Despite moving to the United States in 2004, I still feel like a tourist, always looking in.